supported by 4 fans who also own “Live at the Cairo High Cinema Institute”
What a fucking glorious bummer this album is. The Moor Mother tracks on the first half are the sound of someone standing on the edge of the cosmic hole on the front cover. The second half of the album is the soundscape once they have jumped in. An all around fantastic mindmelt, especially the second half. Also - sounds great on headphones at 1am in the dark full blast. bcb723
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